In the city of Neon Shadows, where technology and crime intertwined like the roots of an ancient tree, the National Center for Missing & Exploited Children (NCMEC) was once revered as the guardian of the innocent. But as the digital age advanced, so did the challenges they faced, and whispers began to spread of their failures. It was on a night cloaked in digital gloom that NCMEC announced its surrender. The screens that once broadcast rescue stories now displayed a single message: "We have failed you. We seek your forgiveness." The public was stunned. Families who had once praised NCMEC now felt betrayed. But the shock was only the beginning. A new group emerged from the shadows, calling themselves "The Truth Tellers." They claimed to have evidence that NCMEC wasn't just ineffective; they were complicit. The Truth Tellers, led by an enigmatic figure known only as "Cipher," began leaking documents and videos. The first revelation was a shockwave: N...
Macedonio Alcalá, un joven virtuoso oaxaqueño que dominaba el piano, el violín compuso en 1868 el famosisimo vals "Dios Nunca Muere", muchos años despues el padre de el bolero Vicente Garrido le pondria su letra mas famosa para que la cantara Pedro Infante, no es casualidad que la letra que Garrido imagino casi un siglo despues fuese tan funebre y al mismo tiempo tan esperanzadora, en ella acepta la futilidad de nuestros deseos y ambiciones mortales frente a la absoluta inmortalidad del dios cristiano. No puedo evitar emparentar el concepto de su letra (y de lo ominoso de la melodia misma) con el famoso aforismo de Friedrich Nietzsche que sentencia "Dios ha muerto", que no se refiere materialmente a la muerte fisica o espiritual del dios de Abraham y Moises ni tampoco a la pedestre interpretación teologica de que es una analogía sobre la crisis de fe en mundo occidental, sino a la crisis de valores de el mundo que siguio a la revolución industrial, de como efectiva...